Ocean of Red Luxury Limited Edition Photography Print
‘Ocean of Red’ is a part of my limited edition collection from 2021 of which the following quantities and sizes are available:
Fine art prints -
30 at size A3
10 at size A2
5 at size A1
Please note: This photograph will be released as part of a limited edition seasonal box set of A3 prints of which a quantity of 10 will be available separately from the print runs listed above. This box set includes ‘The Orchestra’ and ‘Royalty’.
All prints of ‘Ocean of Red’ will be hand signed and delivered in an archival box or solid postal tube where necessary. There will be no more printed editions once these have sold out although the rights to print on other surfaces such as acrylic and aluminium remain with Brad Carr Photography.
‘Ocean of Red’ is a part of my limited edition collection from 2021 of which the following quantities and sizes are available:
Fine art prints -
30 at size A3
10 at size A2
5 at size A1
Please note: This photograph will be released as part of a limited edition seasonal box set of A3 prints of which a quantity of 10 will be available separately from the print runs listed above. This box set includes ‘The Orchestra’ and ‘Royalty’.
All prints of ‘Ocean of Red’ will be hand signed and delivered in an archival box or solid postal tube where necessary. There will be no more printed editions once these have sold out although the rights to print on other surfaces such as acrylic and aluminium remain with Brad Carr Photography.
I just love this photograph that I took of some woodland in the grounds of Powis Castle. The mist rising from Llyn Du really makes this image in my opinion, not only helping to add depth, but really separating the foreground trees and that beautiful ‘ocean of red’. I’ve been visiting the grounds a lot more often than I usually do with the national lockdown in place. This has forced me to think differently about my photography, looking for colours and detail as opposed to grand scenes and dramatic lighting. I think it has done nothing but aid my development as a photographer and added more strings to a bow that will never run out of room. Growing up, I used to look at some copies of Henry H. Parker pieces that we had on our walls. He specialised in picturesque pastoral landscapes of classic English countryside scenes. I can’t help but feel as though this might have been inspired by those. Part of the collection of images that sparked my love for woodland photography and featured alongside an article in the Welsh Country magazine.
